ENTERTAINMENT NEWS
Entertainment news

"Are we tennis players or zoo animals?": Gauff, Swiatek, and the crusade against broadcasting images from the locker rooms

Updated

Players criticize the 45 cameras that the Australian Open has off the courts after everyone saw how the American smashed a racket behind a wall

Coco Gauff during Australian Open.
Coco Gauff during Australian Open.AP

Coco Gauff endures. She just lost in the quarterfinals of the Australian Open against Elina Svitolina with a painful 6-2, 6-1 defeat, but she endures. She leaves the court, walks down a long hallway, crosses the player warm-up area, approaches the locker room, and still endures. But there comes a moment when she thinks she is alone. Behind a wall where no one can see her, Gauff smashes her racket. Once, twice, seven times against the ground, destroying the device and allowing the American to exorcise all her troubles or at least let off some steam. Then she goes to the shower. And when she comes out, she finds out that there was a camera just behind her and that her despair has been broadcasted by ESPN or Eurosport and is going viral on the internet. Bad luck? No. "Lack of privacy."

After the incident, numerous players raised their voices against the live broadcast of all their steps in Grand Slam tournaments and opened a debate: to what extent should athletes participate in the reality show organized around them.

"I don't like people seeing me like that, and I looked for a place where I thought there were no cameras. Unfortunately, that was not the case. I know myself, and I don't want to take out my anger on my team when I'm upset because they don't deserve it. I try not to smash rackets in public to set a good example for young people, but I needed to let off steam to avoid taking out my irritation on others," confessed Gauff, who herself recalled past incidents.

Over two years ago, at the 2023 US Open, the international broadcast showed how Aryna Sabalenka smashed her racket inside the locker room after the final, sparking the same controversy. At that time, there were tennis players who excused the broadcast of her reaction, and Sabalenka received a $20,000 fine from the WTA circuit for portraying a negative image. This time, however, perhaps due to the repetition or perhaps due to Gauff's character, the entire tennis community came out to defend the American's privacy.

"Are we tennis players or zoo animals being observed even when we relieve ourselves? People are supposed to watch us on the court and in the press room. That's our job. That's it. Our job is not to provide entertainment all day or become a meme when we forget our accreditation," commented Iga Swiatek, empathizing with Gauff because a mishap of hers was also going viral.

A few days ago, she forgot her accreditation before entering the Rod Laver Arena to play a match, and the entrance guard did not let her in until her coach showed up. She stood there, motionless, at the stadium entrance. "Oh, yes, it was very funny," she said ironically. "People have something to talk about with these things, but it's not pleasant for us. I don't think it's necessary."

Like her, other players also spoke out against broadcasting images from the locker rooms, as did Jannik Sinner and Novak Djokovic. "I empathize with Coco. It's sad that there isn't a single place where you can step aside and be alone with your joy, frustration, or anger. Unfortunately, we live in a society obsessed with content," said the Serbian.

According to a source from the Australian Open to EL MUNDO, the tournament has 45 cameras distributed to broadcast what happens off the court, but there are certain situations considered "off-limits," such as showing players with their families—especially if there are minors—crying after a defeat, or receiving a message.

"Every year we offer more private spaces for players to relax, focus on their preparation, and work with their teams in private. This includes a player's rest area, strategy rooms, a sleeping room, private locker rooms, medical, health, wellness, and beauty rooms," defended Tennis Australia, stating that they are in contact with the players and that their work "is based on creating a deeper connection between the players and the fans."