The artist proves that she belongs to the global elite, at the level of figures like Taylor Swift, Beyoncé, or Harry Styles. She is no longer just the Latin queen we knew from Motomami, but a performer with global reach.
One of the most striking elements is the presence of a twenty-piece orchestra positioned in the center of the stage, adding a majestic dimension to the show.
The first part of the concert, composed of five songs from Lux, stands out for an extraordinary vocal display, a range that very few artists can currently reach. This initial section, more melancholic and almost sacred, serves as a starting point for a show that progressively grows.
After that introspective start, the concert transforms into a phase of pure enjoyment with the characteristic energy of Motomami. Then Rosalía briefly returns to flamenco with a song from Los Ángeles, recalling her roots. The final stretch covers different states: festive moments, others of female empowerment, and finally, a closing where she dazzles again with her voice, leaving the audience completely astonished.